主演:梅根·希尔提,布兰达·宋,杰森·多雷,蒂芙妮·桑顿,赞达亚,梅·惠特曼,刘玉玲,雷文-西蒙尼,安吉拉·巴蒂斯,帕梅拉·阿德龙,杰夫·贝内特,罗伯·鲍森,简·霍洛克斯,凯瑞·华格伦,杰西卡·迪西可,杰西·麦卡尼,丹·柯蒂斯·李,安杰丽卡·休斯顿
导演:布拉德利·雷蒙德
简介:迪士尼于2008年开始推出《奇妙仙子》系列作品,首先计划推出的四部作品刚好分别就是春夏秋冬四季的故事,后来迪士尼决定继续延续此一系列,第五部作品的计划就此展开。后来迪士尼甚至决定将这部《奇妙仙子》系列作品首度尝试以TV电影首播的方式推出,因此本片推出问世的时间甚至还早于较早计划的冬天故事。而且,据说本片也会制作成3D立体版本,于发行蓝光影音产品时推出。在本片的故事中,四年一度的闰年到来,小精灵谷的仙子们每逢闰年会举办一场跨越季节的大竞赛,小精灵谷的仙子们使出浑身解数,为了争取最高的荣耀而一较高下!
主演:蒂姆·艾伦,盖尔·加西亚·贝纳尔,杰米·福克斯,科甘-迈克尔·凯,乔丹·皮尔,霍利·亨特,欧文·威尔逊,阿兰娜·乌巴赫,艾伦·德杰尼勒斯,王牌接线员拉里,格雷格·T·尼尔森,琼·库萨克,莎拉·沃威尔,赫克·米尔纳,伊莱·富西尔,丽亚·德拉利亚,奥克塔维·索利斯,布莱克·克拉克
导演:Robert,H.,Russ,艾伦·巴利拉罗,Christopher,Chua,Jae,Hyung,Kim,Michal,Makarewicz,詹姆斯·福特·墨菲,Juan,Carlos,Navarro,Carrión,亚当·罗德里格兹,艾莉森·拉特兰德
简介:接下来,用皮克斯爆米花(Pixar Popcorn)来吃一顿快餐,这是一系列迷你短剧,在全新的小故事中,你最喜欢的皮克斯角色都是主角。
主演:杰克·布莱克,吴汉章,达斯汀·霍夫曼,塔拉·麦克里,兰德尔·杜克·金,斯蒂芬·凯林,杰登·伦德,塞斯·罗根,杰瑞·克拉克,大卫·克罗斯,詹姆士·谢,彼得·奇莱拉,刘玉玲,凯瑞·华格伦,凯莉·斯泰堡丝
导演:鲁道夫·格恩登
简介:悍娇虎(凯瑞·华格伦 配音)少女时候跟着师傅(达斯汀·霍夫曼 配音)辛苦练功,却始终无法得到师傅的认可。终于有一天,强敌野猪来袭,打败了一众高手,几乎无人能敌。混血大师被击败后来到翡翠宫找师傅,希望师傅能阻止野猪,于是师傅答应接受挑战。可是就在比武的前几天,师傅因为吃了阿波(杰克·布莱克 配音)做的饭而食物中毒无法应战,无奈之下指派悍娇虎带着卷轴去寻找神奇四侠,一连串的巧合之下,悍娇虎带回了快螳螂等人,自此故事发生了逆转……
主演:内详
导演:居伊·德波
简介:Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演:Danièle,Huillet,Jean-Marie,Straub
导演:Pedro,Costa,Thierry,Lounas
简介:Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演:乔万·杰克逊,露西·克里斯蒂安,布莱森·鲍格斯,爱德华·詹姆斯·奥莫斯
导演:渡边信一郎
简介:动画时间设定在[银翼杀手]、[银翼杀手2049]两部之间的2022年。美国西海岸出现了原因不明的大规模停电,食品供应陷入危机。全世界都在指责停电是因为复制人,于是法令禁止再造复制人。为了拯救世界危机而出现的科学家华莱士(电影中由杰瑞德·莱托饰演),开发了解决粮食困难的新生态系统,并开始着手研究新型复制。
主演:利亚姆·维克斯,Joelle,Jacoby,Tess,Rimmel
导演:利亚姆·维克斯
简介:Monsters and shootouts abound in this animated western comedy following an overconfident kid, his apathetic partner, and a spider-girl with some serious boundary issues. What will m.ysgou.cc it take to save CliffSide from some rather unconventional evil in the surrounding cliffs, and will our hero ever actually learn anything
主演:马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Anaïs,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Anaïs,Parello,Eléonore,Sarrazin,Axel,Baille
导演:乔里斯·福肯·格里莫德
简介:The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins.The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book « Harry Potter and the Half-Blood Prince ». It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros.Made by fans for fans.
主演:杰伊·巴鲁切尔,杰拉德·巴特勒,克雷格·费格森,亚美莉卡·费雷拉,乔纳·希尔,克里斯托夫·梅兹-普莱瑟,T·J·米勒,克里斯汀·韦格
导演:汤姆·欧文斯
简介:远在北欧大海中央的博克岛,即将迎来一年一度的快乐圣诞节。希卡普(杰伊·巴鲁切尔 Jay Baruchel 配音)和他的好朋友无牙一如既往,在博克岛的上空自由翱翔。可是,突然天空布满了各种各样的龙,甚至连岛上的龙也振翅高飞随这群龙远去。岛民们非常失落,但也只能面对龙离去的事实。未过多久,连无牙也在某个机缘下振翅高飞。过了数日,无牙始终没有返回,这令希卡普非常失落。某天,他被夺门而出的胖龙Meatlug撞到空中,继而随着它来到了一片陌生的小岛。在那里,希卡普发现了所有失踪的龙,也明白了他们离开博克岛的原因……而他的好朋友无牙究竟又在哪里呢?
主演:林原惠美,松本保典,绿川光,铃木真仁,石田彰,川村万梨阿,田之中勇,樱井孝宏,小岛一成,木村雅史,白鸟由里,纳谷悟朗
导演:佐藤顺一
简介:概要只要是有美味佳肴的地方,就一定会出现一位自称美少女天才魔导士的莉娜,和一位自称是其保护者的高里。一如往常地来到以盛产章鱼闻名的海边城市,想说只需帮忙捕鱼便可免费享用章鱼美食;却因莉娜太过於热衷捕鱼,造成不只鱼群所在处,甚至连船只都遭受破坏,最後能享受到章鱼美食的只有高里……。不过这却是整个恐怖事件的起源!一食用章鱼的人就会得到所谓「只会说章鱼话」的怪病,因而高里也被传染了。但是事件演变到没吃章鱼的人也被传染怪病,灾害持续扩大;听说高里深陷危机而前来帮忙的杰路刚帝士和阿梅莉亚也被传染,甚至连唯一的救星莉娜也无法幸免……。被封印住的魔族即将复活,人类灭亡的末日可说即将来临!莉娜她们能拯救这个世界吗?还是可以吃到美味的章鱼呢?本作以TV系列的角色(高里、杰路刚帝士、阿梅莉亚和杰洛士)为主。莉娜的服装也是以TV系列为基准。另一方面,开头的BGM是继承自剧场版系列。
主演:Lindsay,Jones,Arryn,Zech,Kara,Eberle,Barbara,Dunkelman,Miles,Luna,Jen,Brown,Samantha,Ireland,James,Bryce,Neath,Oum
导演:Kerry,Shawcross
简介:A spinoff of the popular rooster teeth show RWBY. This show is small clips of the cast of RWBY in their spare time.
主演:范·迪塞尔,布莱德利·库珀,弗雷德·塔特西奥,詹姆斯·古恩,凯特琳·罗布罗克,鲍伯·伯根,特雷弗·德瓦,斯科特·门维尔,凯瑞·华格伦,马修·伍德,Terri,Douglas
导演:克尔斯滕·莱波尔
简介:漫威原创短剧《我是格鲁特》,树人格鲁特宝宝与新角色一起展开冒险之旅。
主演:内详
导演:未知
简介:《爱、死亡 机器人》是一部动画短片合集,涵盖科幻、奇幻、恐怖和喜剧等题材。每集都采用大胆的叙事手法,故事好看易懂,令人印象深刻。该剧集是第一部动画短片,由大卫·芬奇、蒂姆·米勒、珍妮弗·米勒和乔希·多宁担任监制,汇集了世界级的动画创作者和精彩的故事,定会为观众带来独特、震撼人心的观看体验。
主演:罗莎里奥·道森,连姆·尼森,艾什莉·埃克斯坦,詹妮娜·加万卡,米切尔·理查德森
导演:未知
简介:动画短片剧集《绝地传奇》讲述阿索卡·塔诺的早年经历。杰尼娜·加万卡尔将为阿索卡的母亲配音,利亚姆·尼森和他的儿子将为不同阶段的奎-刚·金配音。《绝地传奇》将于2022年秋季于Disney 上线开播,由戴夫·费洛尼担任编剧,全季共6集,传奇故事敬请期待。
主演:李雪,王渝萱,潘纲大
导演:王逸铃
简介:小安與咪咪夜店裡巧遇北上待工的阿凱,決心將他網羅進兩人不可言說的小圈套裡。台北青紅閃爍無暝無日,一夜過去,相遇的人們得不到自己想要的,一切卻都不一樣了。李雪、王渝萱交手潘綱大,少女壞壞翻轉性愛。
主演:瓦伦·蒂诺,弗兰克·托达罗,Luke,Millington-Drake,Joe,Hanna,韦恩·布莱迪,吉姆·康罗伊,格蕾·德丽斯勒
导演:未知
简介:在这部根据热门电子游戏改编的动画剧集中,生性冲动的茶杯头和他那容易动摇的弟弟马克杯人将遇上一连串麻烦事儿。
主演:Cindy,Airey,Billy,Davis,Paul,St.,Peter
导演:Stephen,Fedasz,IV
简介:Batman has been captured by the hazardous Harley Quinn. Chained and dangling over a tank of ravenous piranhas, how on Earth can the Dark Knight escape certain death!
主演:内详
导演:Alan,Ituriel
简介:The show follows the misadventures of the infamous Black Hat, a vulgar and sharply dressed narcissistic inhuman fiend who does his part to make the world a little more vile and its heroes a little more dead. Aiding him (with varying degrees of consent) are his cohorts, meek scientist Dr. Flug, the neurotic and adorably failed bestial genetic experiment 5.0.5, and his biggest (and most violently deranged) fan-girl Demencia. Written by Cameron Iacono
主演:内详
导演:玛缇·迪欧普
简介:Made during confinement, “In My Room” plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director’s deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.
主演:芭芭拉·赫希
导演:彼特·契尔卡斯基
简介:Guy Maddin writes, Tscherkassky has made two films cannibalizing Sidney J. Furie's 1982 Barbara Hershey horror film THE ENTITY, the story of a woman who is continually assaulted and raped either by real ghosts or by awfully adept repressed traumas… The screen literally explodes with a tumult of Hershey faces, shattering Steve Burum's original cinematography into shards of frightened eyes, trembling hands and violent outbursts of self-defense, presented in multiple exposures too layered to count, too arresting to ignore.
主演:马修·格克齐,Kaycie,Chase,David,Gasman,Lee,Delong,比尔·法玛尔,Barbara,Scaff,Sylvain,Caruso
导演:Jean,Cayrol
简介:Disney 动画剧集《奇奇与蒂蒂:公园生活》(Chip ‘N’ Dale Park Life,暂译)释出首张剧照,并确定于7月23日开播。该剧由让·凯罗尔执导,讲述两个小捣蛋鬼试图在大城市公园里过上美好的生活,同时也在经历巨大的、天马行空的冒险。该剧共36集,每集7分钟。
主演:克里斯·迪亚曼托普洛斯,比尔·法玛尔,露西·泰勒
导演:Paul,Rudish,Aaron,Springer,Clay,Morrow
简介:自1928年诞生以来,华特·迪士尼(Walt Disney)笔下的米奇形象历经近百年的发展,已成为世界范围内最著名的卡通人物之一。顽皮可爱同时又聪明睿智的米奇和好朋友们上天入地,经历了无数有趣刺激的大冒险。进入2013年,迪士尼频道竭诚制作出最新一般的米奇系列动画,该系列画风简约复古,又不乏新潮时尚气息。届时,米奇(Chris Diamantopoulos 配音)将和米妮(Russi Taylor 配音)、唐老鸭(Tony Anselmo 配音)、黛茜(Tress MacNeille 配音)、高菲(Bill Farmer 配音)甚至还有皮特(Jim Cummings 配音)等观众们熟悉的好朋友一起,走遍世界每一个角落,讲述一个又一个爆笑可爱的小故事。人气与日俱增的米奇,带着小朋友们进入快乐的世界!
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